Al-Adab Al-Mufrad

Al-Adab Al-Mufrad 1238

Arabic hadith text

حَدَّثَنَا عَبْدُ اللهِ بْنُ مُحَمَّدٍ، قَالَ‏:‏ حَدَّثَنَا هِشَامُ بْنُ يُوسُفَ، قَالَ‏:‏ أَخْبَرَنَا مَعْمَرٌ، عَنْ سَعِيدِ بْنِ عَبْدِ الرَّحْمَنِ، عَنِ السَّائِبِ، عَنْ عُمَرَ قَالَ‏:‏ رُبَّمَا قَعَدَ عَلَى بَابِ ابْنِ مَسْعُودٍ رِجَالٌ مِنْ قُرَيْشٍ، فَإِذَا فَاءَ الْفَيْءُ قَالَ‏:‏ قُومُوا فَمَا بَقِيَ فَهُوَ لِلشَّيْطَانِ، ثُمَّ لاَ يَمُرُّ عَلَى أَحَدٍ إِلاَّ أَقَامَهُ، قَالَ‏:‏ ثُمَّ بَيْنَا هُوَ كَذَلِكَ إِذْ قِيلَ‏:‏ هَذَا مَوْلَى بَنِي الْحَسْحَاسِ يَقُولُ الشِّعْرَ، فَدَعَاهُ فَقَالَ‏:‏ كَيْفَ قُلْتَ‏؟‏ فَقَالَ‏:‏ وَدِّعْ سُلَيْمَى إِنْ تَجَهَّزْتَ غَازِيَا كَفَى الشَّيْبُ وَالإِسْلاَمُ لِلْمَرْءِ نَاهِيَا، فَقَالَ‏:‏ حَسْبُكَ، صَدَقْتَ صَدَقْتَ‏.‏

Translation

Unreviewed translation. All hadiths in this collection are available in five languages. Titles and introductions may remain in Arabic.

‘Abd Allah ibn Muhammad related to us: Hisham ibn Yusuf related to us: Ma‘mar informed us, from Sa‘id ibn ‘Abd al-Rahman, from al-Sa’ib, from ‘Umar, who said: Men of Quraysh would sometimes sit at the door of Ibn Mas‘ud. When the shade turned back, he would say, ‘Get up; whatever remains is for Satan.’ He would make anyone he passed get up. While he was doing so, someone said, ‘This is the client of Banu al-Has-has, who recites poetry.’ He called him and asked, ‘What did you say?’ The man replied: ‘Bid farewell to Sulayma if you set out as a warrior; grey hair and Islam are sufficient to restrain a man.’ He said, ‘That is enough. You have spoken truly; you have spoken truly.’

Notes and open questions — unreviewed
  • The first clause uses the turn of the shade (فيء الفيء) to mark the time when ‘Umar ordered the men to get up. The couplet is rendered closely; its precise poetic force is compressed in the source.

  • وَدِّعْ سُلَيْمَى إِنْ تَجَهَّزْتَ غَازِيَا كَفَى الشَّيْبُ وَالإِسْلاَمُ لِلْمَرْءِ نَاهِيَا

    The compact verse has an elliptical poetic construction; the translation follows the apparent sense of its words.

    Should the couplet be rendered more idiomatically from a verified poetic source?