حَدَّثَنَا عَيَّاشُ بْنُ الْوَلِيدِ، حَدَّثَنَا عَبْدُ الأَعْلَى، حَدَّثَنَا سَعِيدٌ، قَالَ سَمِعْتُ النَّضْرَ بْنَ أَنَسِ بْنِ مَالِكٍ، يُحَدِّثُ قَتَادَةَ قَالَ كُنْتُ عِنْدَ ابْنِ عَبَّاسٍ وَهُمْ يَسْأَلُونَهُ وَلاَ يَذْكُرُ النَّبِيَّ صلى الله عليه وسلم حَتَّى سُئِلَ فَقَالَ سَمِعْتُ مُحَمَّدًا صلى الله عليه وسلم يَقُولُ ‏"‏ مَنْ صَوَّرَ صُورَةً فِي الدُّنْيَا كُلِّفَ يَوْمَ الْقِيَامَةِ أَنْ يَنْفُخَ فِيهَا الرُّوحَ، وَلَيْسَ بِنَافِخٍ ‏"‏‏.‏
Translation
Narrated Ibn `Abbas

I heard Muhammad saying, "Whoever makes a picture in this world will be asked to put life into it on the Day of Resurrection, but he will not be able to do so."

Comment

Exposition of Hadith on Image-Making

This narration from Sahih al-Bukhari (5963) addresses the prohibition of creating images of animate beings, particularly those with souls. The scholars explain that this prohibition stems from the fact that creating living forms is an attribute exclusive to Allah, the Supreme Creator.

The Nature of the Prohibition

The majority of classical scholars held that the prohibition applies specifically to images of beings possessing souls (humans, animals). This excludes trees, mountains, and inanimate objects.

The severity is greatest for three-dimensional images intended for veneration or that could lead to idolatry. Two-dimensional images that are not revered and serve practical purposes (like educational diagrams) were considered less severe by some scholars.

Theological Implications

The challenge to "put life into it" on Judgment Day demonstrates the gravity of attempting to imitate Allah's creative power. This serves as a powerful reminder that giving life is God's exclusive domain.

Scholars like Ibn Hajar al-Asqalani explain that this punishment highlights the arrogance inherent in creating images, as the maker attempts what only Allah can truly accomplish - giving life to creation.

Historical Context and Applications

Early Muslim scholars observed that this prohibition was particularly important in contexts where image-making could lead to shirk (associating partners with Allah), as was common in pre-Islamic societies.

Later scholars distinguished between various types of images based on usage, form, and potential for misuse, while maintaining the core principle that creating likenesses of animate beings is generally forbidden unless for necessary purposes.